Ten years ago, Calamity came. It was a burst
in the sky that gave ordinary men and women extraordinary powers. The awed public
started calling them Epics. But Epics are no friend of man. With incredible
gifts came the desire to rule. And to rule man you must crush his will. Nobody
fights the Epics...nobody but the Reckoners. A shadowy group of ordinary
humans, they spend their lives studying Epics, finding their weaknesses, and
then assassinating them. And David wants in. He wants Steelheart - the Epic who
is said to be invincible. The Epic who killed David's father. For years, like
the Reckoners, David's been studying, and planning - and he has something they
need. Not an object, but an experience.
He's seen Steelheart bleed.
And he wants revenge.
He's seen Steelheart bleed.
And he wants revenge.
One of my favourite authors tackling the superhero genre? I
was sold from the start, I won’t lie. Sanderson isn’t quite a big name on the
same scale as, say, George R.R. Martin, or Neil Gaiman, but he is both extremely
prolific and very talented (thirteen full novels and several short stories
since his debut, Elantris, was
published in 2005), and the superhero genre is the perfect fit for his style.
He is well known amongst connoisseurs of fantasy literature for his ‘laws’, all
of which focus on the use of magic in fantasy – broadly speaking, magic must
have limitations, there must be rules, it must affect the world around it. In
many ways, they are fine ideas. It’s a common problem within the genre to find
that conflict is resolved by brute force or deus ex machina rather than
intelligent plotting, and I am all for avoiding that wherever possible. On the
other hand though, Sanderson’s magic rarely feels magical to me. Everything is
so rigorously explained that there is little room for wonder, however awesome
the scenes he crafts might be, and his magical characters have always felt more
like people with super powers rather than wizards. In theory then, this tendency
would pay dividends with an actual superhero novel.
However, his previous YA series, ‘Alcatraz vs the Evil
Librarians’, was distinctly disappointing (see here for details), so I went in
cautiously. Happily, ‘Steelheart’ is a far better book than any of the four ‘Alcatraz…’
instalments.
For a start, despite being set in a dystopian future where
you can literally be killed for looking at someone and heroism and nobility
seem to have been almost genetically eradicated, it’s fun. This is actually a
quality of all of Sanderson’s work, but whereas the ‘Alcatraz’ series took it
to rather wacky extremes, the fun here is smoother, more fitting. Side
character Cody’s stories are always entertaining, and the main character David
has a line in metaphors that would make an English teacher scream and the
Eleventh Doctor applaud. More importantly, the plot is an entertaining,
caper-esque thrill ride, and Sanderson has always had a nice touch with an
action scene; several moments in ‘Steelheart’ had me grinning with glee at the
tightly controlled spectacle on the page.
In addition, it’s set in an intriguing universe. The Epics
largely go beyond the normal superpowers familiar from comicbooks, although
Steelheart is an obvious Superman knock-off, with a few crucial differences
even before taking into account his psychosis. There are a few intriguing
twists along the way (and a few predictable ones, but you can’t have
everything), and some good plot-lines to follow up for the rest of the series.
As a bonus, it can be fun trying to spot all the comic related shout outs over
the course of the story.
However, it isn’t all good. Aside from the aforementioned
metaphor mangling, David’s only other character trait of note is being obsessed
with revenge, and as a result he can come across as being rather flat. To be
fair, learning that there is more to life than revenge is the thrust of his arc
over the course of the book, so presumably this is a deliberate choice that
will be smoothed out over subsequent instalments rather than a fault of the
writing, but thus far he isn’t the most engaging character. The same can be
said for Steelheart himself, who despite being the entire point of the book and
more or less a god within the confines of the setting is actually a very
underwhelming, generic supervillain. The secondary villains are far more
interesting though, so it’s not a complete loss on that score.
More importantly, as much fun as the book is, it was also
fun when Sanderson wrote more or less the same story in ‘The Final Empire’, the
first instalment of his bestselling Mistborn series. It was also somewhat
better. The plot was generic both times (orphan joins up with gang of misfits
to overthrow an omnipotent tyrant), but ‘Steelheart’ is not as fleshed out as
the earlier book.
All in all then, a highly entertaining read, and a lot of
promise to come, but a must read? That will probably depend on how big a fan of
Sanderson and superheroes you are.
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