Written
by: Neil Cross
Starring:
Dougray Scott, Jessica Raine
Director:
Jaime Payne
The time: 1974. The
place: Caliburn House. The Doctor and Clara encounter a ghost hunting professor
and his psychic assistant, and assist them in their search for the truth about
the Witch in the Well, a legendary ghost haunting the building. The truth is
stranger than any of them could possibly imagine…
In the aftermath of ‘Rings of Akhaten’, I was dubious about
this episode. While I liked that episode more than many viewers seemed to, it
smacked of rushed writing and shooting, and was one of the few episodes that
don’t make sense even after you’ve thought about it for a while. The notion
that Neil Cross was writing a second episode hardly filled me with confidence.
‘Hide’ is not perfect. Once again, it is a very tightly
packed episode, with several different concepts and plotlines all struggling
for room to breathe – after about the halfway point, much of the script raises
more questions than are answered, although it is debatable how many of those
questions strictly need answering. There is at least one twist too many,
although unlike ‘Akhaten’, everything in the episode makes sense (or at least,
makes sense within the Doctor Who universe).
Other than that though…it’s pretty damn good. In fact, I’d
go so far as to say it’s the best episode of the series so far.
The central attraction is the outstanding pairing of Scott
and Raine as Professor Palmer and his assistant Emma Grayling. Both offer
restrained yet heartfelt, utterly convincing performances – all the more
remarkable in Raine’s case, playing as she is a psychic ghosthunter – and the developing
romance between them is easily the most engaging part of the story. That it is
wrapped up in an incredibly atmospheric, rather unsettling ghost story is just
the icing on the cake.
Elsewhere, there is an absolutely cracking scene showing the
Doctor checking the same spatial location across the entirety of Earth’s
history, from the formation of the planet to the burning up witnessed way back
with Christopher Ecclestone. It is a beautiful, imaginative scene that also
highlights the potentially disturbing, alien nature of the Doctor, and Jenna Louise
Coleman perfectly delivers Clara’s unease at this side of her travelling companion
– another key scene for Coleman is her glorious bitch-fest with the TARDIS. To complete
the trio of scares, we have the Crooked Man, the named-only-in-credits monster
of the piece. For much of the episode, he/she/it is incredibly unsettling,
helped by some excellent editing to make it look even more unnatural (shots of
it moving were cut up and bits taken out to provide a truly unsettling,
disjointed motion).
Aside from the Crooked Man though, once we find out the
truth of the Witch, the episode abruptly changes gear to a more traditional
(kind of…) science fiction story, taking in time travel and parallel worlds,
and it becomes a more generic ‘Who’ story, although by no stretch a bad one.
It is here that the flaws become more apparent. Much like
the Vigil in ‘Akhaten’, there’s actually no real need for the Crooked Man
except providing the obligatory monster of the week. While the scenes of the
Doctor being chased through a murky, collapsing forest by a truly unnerving
monster are undoubtedly good, the episode might have benefited from focusing a
little more on the Witch/trapped time-traveller. Apart from her name,
occupation, and a little touch of family history, we know absolutely nothing
about her. And hey, as monsters go, a collapsing world is surely more than
enough for one episode, right? The literally last minute introduction of a
second Crooked Man (Crooked Men? Crooked Woman?) to make the Doctor realise
that the monster is just in love was entirely unnecessary, and that the TARDIS
can make not just one almost impossible jump between dimensions, but two,
stretches disbelief perhaps just a tad too far – although equally, it’s Doctor
Who. Stretching of disbelief is pretty much part of the show.
Most of these are niggles though, and don’t really detract from
what is, on the whole, a thoroughly excellent episode.
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